<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6527629880816499135</id><updated>2011-08-26T14:07:15.925-07:00</updated><title type='text'>The Shield of Achilles</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://mccarroll.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6527629880816499135/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://mccarroll.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Stephanye McCarroll</name><uri>http://www.blogger.com/profile/08651451608852382387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/-CKAVQwKxaMg/TlgGV10ynMI/AAAAAAAAAAQ/4erMsYVhTa0/s220/headshot.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6527629880816499135.post-2465162025276201399</id><published>2011-08-26T14:07:00.000-07:00</published><updated>2011-08-26T14:07:11.811-07:00</updated><title type='text'>The Shield of Achilles</title><content type='html'>&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;“The Shield of Achilles” comes from W.H. Auden’s collection of poems entitled &lt;u&gt;The&lt;/u&gt; &lt;u&gt;Shield of Achilles&lt;/u&gt; which was first published in 1955.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;It is said to be “an indictment of dehumanizing trends in contemporary society”&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;&lt;span style="mso-no-proof: yes;"&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;(Summers)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;There are two different perspectives on this poem.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;There is Thetis’ perspective on the poem in which she envisions the shield to illustrate peace, but instead she realizes that Hephaestos is illustrating the misery and devastation of war.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;And then there is Auden’s actual take on the poem where he emphasizes the differences between the heroic past and the non heroic present.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Unhappy with the totalitarian ways of the modern world, Auden interprets the images on the shield to highlight the negatives that this totalitarian state has on the individual.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Looking more closely at Auden’s perspective, he emphasizes the reality of life, implying that it is not all peace and happiness like Homer portrays it to be in the &lt;u&gt;Illiad&lt;/u&gt;.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;He thinks that Homer’s idea of having peace even amidst war is not valid and not true to how the world is today.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; text-indent: 0.5in;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;Looking further into the poem, it is important to notice the numerical symbolism.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;There are nine stanzas in the poem which easily compare to the nine circles of Achilles’ shield.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;The parallelism of the number of lines in stanzas 1, 4, 7 and 9 is also evident.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;There are eight lines per stanza and these stanzas are mainly set in ancient Greece.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;The second and fourth lines rhyme as do the sixth and the eighth.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Auden refers to Achilles’ mother Thetis as “she” in stanzas 1, 4, and 7.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Stanzas 2, 3, 5, 6, and 8 are seven line iambic pentameter contrasts to the shield of Achilles and Homer’s ideas.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; text-indent: 0.5in;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;The olive tree mentioned in Line 2 is used as a symbol of peace as in most cases.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;In Lines 5-8 he says,&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;But there on the shining metal &lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;His hands had put instead&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;An artificial wilderness&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; tab-stops: center 3.25in;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;And a sky like lead.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;The word “artificial” is used here in an interesting way.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;This “artificial wilderness” implies that this life that is totally at peace is superficial and that it is based on the principles of nothing at all.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Being that lead is not actually a metal, not only does “artificial” give a contrast between Achilles’ shield and the modern world but it also is a transition into the next two stanzas.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;The next two stanzas describe warfare in society during that time period.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Auden’s tone in these two stanzas is very dark and gloomy.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;He describes a group of soldiers lined up waiting for a signal from their commander.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;In Line 13 he describes them as “an unintelligible multitude,” downplaying the ability to think for themselves.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Later on in Line 19, he says “no one was cheered and nothing was discussed,” which directly contrasts with Homer and his description of Achilles being praised for his time at war.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Stanzas 5 and 6 go into detail about a concentration camp and the reader is introduced to actual death (Line 37,38 and 45).&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;The three bodies are placed upon stakes and are killed.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;This scene is, in a way, a more brutal picture of the crucifixion of Christ. &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;Here, Auden points out the modern society’s loss of religious certainty, contrasting it with the liberation of mankind.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Even though Auden has “a prophetic vision, that vision is a nightmare” &lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;&lt;span style="mso-no-proof: yes;"&gt;(Harpers Magazine)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;In these stanzas, the enslavement of humans and the individual is referred to when he says “barbed wire enclosed an arbitrary spot” (Line 31). &lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;Under totalitarian forces, Auden claims that the men that died, “died as men before their bodies died,” losing their pride and their dignity (Lines 43 and 44).&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;A minor detail that seems to stand out is the fact that none of the “characters” actually speak in this poem.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Auden says in Line 35 and 36 that “a crowd of decent ordinary folk/watched from without and neither moved nor spoke…”&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;In stanza 7, again there is a direct contrast between life and death which transitions into stanza 8.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;In stanza 8, there is an introduction to bird imagery.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Birds represent the human soul because they are able to exist here on Earth as well as fly to the heavens.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;However, Auden mentions that this bird is a “ragged urchin” (Line 53) suggesting that is an evil soul.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;This leads into the next couple of lines the raping of the girls and the killing of the boys.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;Auden points out that people tap into an animal instinct where there is violence and lack of humanity.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;In the very last stanza, Thetis finally realizes that life is not all peace and joy and she draws the conclusion that the images on the shield are a prediction to the death of her son. &lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; tab-stops: .5in 184.5pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="mso-tab-count: 1;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; tab-stops: .5in 184.5pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; tab-stops: .5in 184.5pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; tab-stops: .5in 184.5pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; tab-stops: .5in 184.5pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt; tab-stops: .5in 184.5pt; text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%; mso-ascii-theme-font: major-fareast; mso-hansi-theme-font: major-fareast;"&gt;Works Cited&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%; mso-ascii-theme-font: major-fareast; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-theme-font: major-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt 0.5in; tab-stops: .5in 184.5pt; text-indent: -0.5in;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%; mso-ascii-theme-font: major-fareast; mso-hansi-theme-font: major-fareast;"&gt;&lt;span style="mso-no-proof: yes;"&gt;Auden, W.H. 24 March 2011 &amp;lt;http://www.sccs.swarthmore.edu/users/99/jrieffel/poetry/auden/achilles.html&amp;gt;.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%; mso-ascii-theme-font: major-fareast; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-theme-font: major-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBibliography" style="line-height: 200%; margin: 0in 0in 10pt 0.5in; text-indent: -0.5in;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%; mso-ascii-theme-font: major-fareast; mso-hansi-theme-font: major-fareast; mso-no-proof: yes;"&gt;"Harpers Magazine." 24 January 2010. 24 March 2011 &amp;lt;http://www.harpers.org/archive/2010/01/hbc-90006423&amp;gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBibliography" style="line-height: 200%; margin: 0in 0in 10pt 0.5in; text-indent: -0.5in;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%; mso-ascii-theme-font: major-fareast; mso-hansi-theme-font: major-fareast; mso-no-proof: yes;"&gt;Summers, Claude J. "The Journal of English and Germanic Philology." &lt;u&gt;"Or One Could Weep because Another Wept": The Counterplot of Auden's "The Shield of Achilles"&lt;/u&gt; (1984): 214.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 10pt 0.5in; tab-stops: 14.25pt .5in 184.5pt; text-indent: -0.5in;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;, &amp;quot;serif&amp;quot;; font-size: 12pt; line-height: 200%;"&gt;&lt;span style="mso-tab-count: 2;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6527629880816499135-2465162025276201399?l=mccarroll.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://mccarroll.blogspot.com/feeds/2465162025276201399/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://mccarroll.blogspot.com/2011/08/shield-of-achilles.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6527629880816499135/posts/default/2465162025276201399'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6527629880816499135/posts/default/2465162025276201399'/><link rel='alternate' type='text/html' href='http://mccarroll.blogspot.com/2011/08/shield-of-achilles.html' title='The Shield of Achilles'/><author><name>Stephanye McCarroll</name><uri>http://www.blogger.com/profile/08651451608852382387</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/-CKAVQwKxaMg/TlgGV10ynMI/AAAAAAAAAAQ/4erMsYVhTa0/s220/headshot.jpg'/></author><thr:total>0</thr:total></entry></feed>
